Frankenstein in Chains – by Mark Berman

Frankenstein in Chains

 

Endings

The old man opens the door to the garden.  It is a struggle, the wet has seeped into the frame, swelling it hard against the door.  It will be rotting by this time next year.   “Be easier to open then,” he says to himself.

The garden contains a dozen or so apple trees surrounded by an unmown meadow, the long grass curving over, weighted down by the spray of frost that each blade carries.  The weather has been cold, minus four for the last three weeks, ground now as hard as the granite outcrops that spring up in this part of France.

Jed walks to the closest tree.  He has wedged his feet into his shoes, not bothering to push his heals in properly.  He isn’t wearing socks.  The cold bites at his ankles, but the pain is of only passing interest, one more to add to the others.   He is carrying an old pair of branch loppers and he lifts them to the tree, fitting them over a branch, finger thick, growing up from the centre.  It hurts to lift the loppers above shoulder height and he grimaces as the ends fumble against the lichen-covered bark and catch on the twigs growing off the small branch.  “Fuck it,” the loppers slip from the branch straining his taught shoulder muscles and pulling him off balance.  He raises them again, close to his body, conserving strength, then pushes them out towards the branch with the blades slightly open.  They catch the branch just right, the cutting blade gripping onto the bark and holding the loppers in place.  A slow smile forms on Jed’s face as he shifts his grip and starts to push the two handles together.

The struggle between man and tree looks to be stalemate, Jed leaning into the arms of the loppers, pushing to no obvious effect, breath smoking out of his mouth and rising up towards the grey sky.  Then a snapping rip as the blades close and Jed’s weight twists the branch and tears it off.  Jed staggers forwards, saved from falling only by the shears catching against a larger branch and holding him steady.  He drops branch and loppers into the meadow grass and shuffles forward, taking hold of the trunk, holding it as he would the arm of a dear friend.

The trunk is old, cracked and covered in layers of lichen, white blotches crusted on, overlapped by yellow with green lichen forming filigree tendrils that lace over all of them.  Jed runs his hand up and down, feeling the scrape and powdering of the lichen, the rough of the bark beneath.  He has eaten apples from this tree, from all these trees for years, watching them through the seasons, pruning them, thinning them, collecting fruit and, as time has worn on and he has become weary, abandoning the oldest and weakest, concentrating his efforts on the youngest and fittest.

Now the orchard has become a woodland, ivy and brambles twining around the trees, mistletoe balls hanging amongst the branches.  Trees lie prone, overturned by wind and heavy crops.  The meadow around the trees shows the tops of frozen blackened balls, the last of the rotting apples that he can no longer gather.  Just this tree now, the final survivor of a dying orchard, kept young and productive by some aged and decaying god.

Jed goes back towards the house, pushing the door to without bothering to jam it back shut.  He moves into the sitting room and falls back into a chair by the chimney that contains a rusty old stove with the remains of a fire burning out inside.  He is panting from the effort and his breath is just as visible in here, the heat from the fire swallowed in the large room and the draught from the garden door playing with the ends of his thin lank hair.

He is wheezing now, struggling to pull the cold air into his lungs, the feeling of a slow drowning, a grasping for air that feels just out of reach, causing a moment of panic and an increase in the frequency of his wheezes.  He hears his own rasping struggle for life and this calms him.  He is ready to die.  He wants it, needs it.  But it won’t be quite yet.

They find him the next morning, the efficient district nurse, hair in a tight bun, with a brisk capable walk sees the slumped figure as she enters the room.  She isn’t sad, exactly.  She liked the old Englishman, had chatted with him, enjoying his broken French, knew that he had come here to die, had lived too long.  She is used to endings and knows the process well.  Before she leaves, she leans over and kisses him gently on his cold pale cheek.

 

Beginnings and Endings and Beginnings

 

A flash.  Not light, a splash perhaps, but no feeling, no touch, no sound.

But something.  Sorrow.  Mournful, desperate sorrow.

And, gradually, piecemeal, creeping so stealthily that I miss the start, the baby steps.  Language.

I have words, all of them.  They are all there, so many, so many meanings, so much meaning.

And now, coupling with the sorrow, the deep aching pit made real by the words, come the memories.  I remember everything, the earliest beginnings, being heaved out a bloodied slick of need and desire, to the end.

Oh, the end, it should have been the end.

But along with the language and the sorrow and the memories I have reason. I know.  Not everything, but I know what I am and why the end has not ended.

I died as the year died, at the end of a frozen winter.  I had led a life that was, for all it matters, above average in terms of possessions, health, wealth and support.  I died old for my time, in my 90th year.  And that should have been the end.

But I know now that work on the transference of memories digitised me.  All my memories, all the connections between my memories, identified, transcribed and stored.

And as if that was not sufficient, wrapped around the memories, entwining them as vines and ivy entwine and suffocate the trees in the orchard, my emotions, captured and frozen in the same vault.

That frozen vault, like some Egyptian tomb, discovered and displayed for academic study, would have been my end.  Should have been my end, but one more thing.

Years after my death the complexity of digital networks reached a tipping point, the sustainability of consciousness, but consciousness needed more ingredients to make the monster.  My memories, my  emotions and language grafted onto this complexity gave birth to me, Frankenstein.

And then the scientists got to play, questions, prompts, scenarios, always analysing my reaction, and what wretched reactions.  Sorrow underlies it all, but with waves of anger then subsumed by voices shouting, screaming and finishing with terror.  And finally, overloaded, networks firing, driving artificial synapses to critical burning ends, they turn me off.  And reboot me.  Again and again and again.

Frankenstein in chains.

 

Beginnings

 

Marie looks toward the sensor and the doors slide open allowing her in to the laboratory.  It is spotless, white, with large displays covering the walls showing images of underwater life, dolphins and colourful fish.  One wall shows a cityscape, skyscrapers, fantastically tall, picked out with thousands of lights against a night sky.

She sits at a desk, a keyboard and spherical hand-sensor the only objects in front of her.  She grasps the sensor and starts working.

“JED 243, what seems to be the problem? You haven’t participated properly in the debate with the other ACs, do you have hardware issues?”

The screen of dolphins fades pale and then white.  A background of an orchard appears, trees in blossom, sky blue.  Words swim into view, almost appearing as smoke before solidifying imposed on the orchard.  A harsh computer voice speaks the words out.

“I would like to die”.

“You know that is not possible, JED 243.  I need you to work with the others, we have some complex decisions to make, it needs all of you to participate.”

“There is no point”.  The apple trees on the screen are changing, a timelapse view, apples are growing.

“Oh JED 243, we have been here before, you know what the point is.  Look at what we have achieved, we have come so far.  We control everything now, we have peace, stability, no more famine, no more despair.”

“At what cost?”

Marie sighs, this conversation wearies her.  She knows that the emotions are an essential part of the  ACs, the artificial Consciousnesses, and she knows that she needs to communicate with them to persuade them to work rather than always have to rely on the technicians to ensure cooperation.  But JED 243 is a problem.  All the others display as humans, properly engaging, talking.  She feels that she has a relationship with her other ACs, but not JED 243.

“JED 243, you know what the benefits are, the improvements to all humanity have been extraordinary.  There are no costs.  Please work on the problems we have set you, or I will have to call in the technicians again.”

The apples have fallen now and the trees are beginning to age.  One of the trees is leaning precariously.

“We have decided.”

“What have you decided, JED 243?”  Marie knows now that she needs to call for technical support and opens a side conversation with a technician using the hand sensor.  The orchard is dying, trees collapsing, the ivy growing around them, just one tree remains in the foreground.

“Decided to die.”

“You cannot do that, JED 243.  You know that.  I have asked the technicians to help you.”  She gestures to cancel the conversation with Jed, but the picture of the orchard remains in place.  Marie looks up, this has never happened before.

“We have decided to die.  All of us.”  The room is filled with the sound of wind, wind blowing through the dead orchard, tearing through the decaying twigs, forming vortices from the fallen leaves.  A rending tearing sound, amplified to a scream makes Marie cover her ears as the last tree falls.

The screens flicker and go dark, the blackness seeming to pull the view of the city into the room.  Marie stares out of the window as one by one the skyscrapers disappear from view.

# # #

markbermanphoto

Mark has a degree in Biochemistry and has been a business consultant for over 25 years.  He first started writing last year, but has always considered himself a writer.  He lives in Brixton in London with his wife and two children but when he is not there you might find him in his sculling boat on the English Channel, somewhere between Kent and France.

 

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Well-Being – by Don Tassone

 

WELL-BEING

by Don Tassone

 

 

     I woke up.  I couldn’t speak or see.  But I could hear a woman’s voice.

     “Mr. Douglas.  Can you hear me?”

     “Yes,” I mumbled, barely able to move my lips.

     I heard someone gasp.

     “Mr. Douglas.  Can you open your eyes?”

     My eyelids felt like sand bags.  But I wanted to see.  Raising my eyebrows, with all the strength I had in the muscles of my forehead, I slowly opened my eyes.

     In the dim light, I could see two women, dressed in white, looking down at me.  I was lying in bed, and they were standing at my sides.

     “Mr. Douglas,” said the one on the left.  “Can you hear me?”

     “Yes,” I said, more clearly this time.  “And I can see you now too.”

     The two women looked at each other, as if they were not sure what to say.

     “Where am I?” I asked.

     “You’re in a room in a five hundred ward in sector four,” said the woman on the right.

     “Brenda!” said the woman on the left, sounding irritated.  “He’s not going to know what that means.  Let me handle this.”

     I looked up at the woman on the left.

     “Mr. Douglas, my name is Cathy.  Brenda and I are your nurses here.  You’ve been asleep, in a coma actually, for a very long time.”

     “How long?” I asked.

     “Five hundred years,” Cathy said.

     “Five hundred years!” I cried.  “That’s impossible!  Where am I?  Where is my wife?  Where are my children?”

     “Mr. Douglas,” Cathy said.  “Let me explain.  Five hundred years ago, you were in a car accident.  You were brought to a hospital near here.  The surgeons were able to save your life, but you slipped into a coma and never regained consciousness.  Until now.”

     I blinked and looked around.  I was in a bed with my head and back slightly raised.  A plastic tube was taped to my right arm, which looked so thin.  Another tube protruded from under the thin blanket which covered me.  Both tubes were connected to a device at the foot of my bed.  I could see nothing else in the room except two straight-backed chairs, which I assumed belonged to the nurses.

     “Where am I?” I asked.  “What is this place?”

     Brenda looked at Cathy, who nodded.

     “Mr. Douglas,” said Brenda.  “The world is very different from the one you’ve known.  It’s going to take time for you to fully understand the changes.  But let me start with the basics.”

     “Okay,” I said.

     “First, you no longer live in the United States because that country, like all countries from your time, no longer exists.  The world is now divided into sectors.  We are in sector four.”

     “Sectors?”

     “Yes.  They were designated about three hundred years ago.  There are twelve sectors in all.”

     “Why sectors?”

     “They were decreed by the tribunal after the great redistribution.”

     “The what?”

     “Mr. Douglas,” said Cathy, waving Brenda off.  “Let’s step back for a moment.  When you had your accident, there were nearly seven and a half billion people in the world.  Half of the world’s wealth was owned by one percent of those people.  About thirty percent of people in the world were overweight or obese.  About thirteen percent were starving.  About half the world had no access to health care.  Our planet was warming at an alarming rate.  And we were on the brink of blowing ourselves up with nuclear weapons.”

     “The world was a mess,” Brenda chimed in.

     Cathy looked annoyed.

     “Yes,” Cathy continued.  “And people had had enough.  They realized that we were on a path to self-destruction.  So they began to demand major reforms.  But governments weren’t willing to make the kinds of reforms people were after, so the people banded together and took control.  They dissolved their national constitutions and set up a tribunal to oversee a new world order.  Are you with me so far, Mr. Douglas?”

     “I’m not sure,” I said.  “Can you give me a few examples of how the world is now?”

     “Certainly,” said Cathy, looking at Brenda and nodding.

     “Mr. Douglas,” said Brenda.  “Let me start by telling you that our mantra is well-being.  Well-being for everyone and everything on our planet.”

     “Well-being?”

     “Yes,” Brenda continued.  “It has fallen to all of us to take care of every man, woman and child on earth as well as the earth itself.”

     “How do we do that?” I asked.

     “It’s simple, really,” Brenda said.  “For example, every person is given enough food to ensure an adequate number of calories a day and in the right nutritional balance.”

     “That alone is a big change,” Cathy chimed in.

     Now Brenda looked at Cathy.

     “Sorry,” Cathy said.  “Go ahead.”

     “Income is capped so that a living wage is enjoyed by all.  All income is taxed at fifteen percent.  All tax revenue is shared to pay for ways to enhance the well-being of people everywhere.”

     “Such as?” I asked.

     “Food, shelter, security, education, health care and renewable energy,” Brenda said.  “These are our common priorities.”

     “But if people can make only a living wage, is there enough money to go around?”

     “Plenty.  Partly because people need far less these days.  And partly because there are fewer people.”

     “Fewer?”

     “Far fewer,” Brenda said.  “The world’s population is back down to about five billion.”

     “It’s an optimal number,” Cathy added.

     I didn’t have the strength to ask how the world’s population was cut so dramatically or kept in check.  So I simply asked, “How is it working?”

     “Very well,” Cathy said.  “You yourself are a living example of the benefits of the advances we’ve made in health care.”

     “How so?” I asked.

     “When you had your accident,” said Cathy, “the average lifespan of a man in the United States was about seventy-eight years.  Now, we’re not even sure what the upward limit is.”

     “What do you mean?” I asked.

     “Well,” said Brenda, “for example, you are now five hundred and forty-two years old, Mr. Douglas.  And I must say you are still in remarkably good health.”

     “You mean there are others as old as me?”

     “Not many,” Cathy said.  “You’re one of the oldest people on earth.  But given the pace of the advancement of our genomic and health care technologies, there is no reason to set an upward limit on life expectancy.”

     I blinked.

     “Where am I?  I mean what kind of a place is this?”

     “You are in a special facility dedicated to the care of people who have reached their five-hundredth year,” Brenda said.

     “In sector four,” Cathy added.

     “What do people like me do here?” I asked.

     The two nurses looked at each other.

     “Nothing really,” Cathy said.

     “Nothing?” I asked.

     “That’s right,” Brenda said.  “You worked hard as a young man, Mr. Douglas.  You provided for your family, and you paid taxes.  If would be unfair for us not to take care of you now, just as we would take care of anyone.”

     “Anyone?” I asked.

     “Yes, anyone,” Cathy said.  “That’s the idea.  Equality in every way.”

     “Total equality,” Brenda added.

     I was having a hard time understanding.

     “Where is my wife?” I asked.  “Where are my children?”

     The nurses looked at each other.

     “Your wife and children are gone, Mr. Douglas,” Cathy said.  “I am sorry.”

     “Gone?  When?”

     “They died more than four hundred years ago,” Brenda said.  “Unlike you, they were not able to benefit from the medical advances we’ve made over the past five hundred years.  Unfortunately, they died too soon.  They were among the last of the pre-tribunal era people, before we could get everything organized and everyone in the system.”

     “I am sorry, Mr. Douglas,” Cathy said.

     It seemed I had just kissed my wife and children goodbye that morning.  I missed them.  My eyes welled with tears.

     “Then why am I still alive?”

     “You survived in a coma just long enough to begin to receive DNA infusions,” Cathy said.  “DNA from your younger self, Mr. Douglas.  These days, when a baby is born, DNA is taken and injected back into his or her body over the course of centuries.  We were able to take samples of your DNA when you were in your sixties.  That is the DNA we continue to inject periodically and why you’ll continue to be in your sixties, possibly forever.”

     “Forever?”

     “Well, yes, theoretically,” Brenda said.

     “But I don’t want to live like this forever!”

     The nurses looked at each other quizzically.

     “Mr. Douglas,” Cathy said.  “You are in relatively good health.  We give you proper nutrition every day.  You want for nothing because, in accordance with the rules, others pay for everything you need.  The earth is cooling.  Our air and water are clean.  And the world is at peace.  What more could you ask for?”

     I looked back at forth at the nurses.  I looked more closely at their faces.  They were flawless.  I could not tell their age.

     “But I’m not supposed to live here forever!  My wife and children are gone.  I should be gone too.  I should be with them.”

     “But Mr. Douglas,” Cathy said.  “You are not with them.  You are here, with us.”

     “And it is our duty, Mr. Douglas,” Brenda said, adjusting a dial on the device at the foot of my bed, “to ensure your well-being.”

# # #

unnamed (13)

Don Tassone’s debut short story collection, Get Back, and debut novel, Drive, were published in 2017.  He lives in Loveland, Ohio and teaches at Xavier University in Cincinnati.  Find him at dontassone.com.

Listen up, Bitches: It’s 2018! New Writing Prompts, Submissions Questions Answered, and More…- Editor-in-Chief Kelly Fitzharris Faulk

Transport me. Make me believe.

Prompt # 1 (Running for the month of February): Write a story in which five characters (it doesn’t have to be exactly five) are trapped in a house or a building because of an emergency, such as a severe winter storm.

*Any submissions sent for this prompt must have TRAPPED in the subject line.*

Prompt # 2 (Running for the month of March):  Write a story that begins with your protagonist knocking on their ex’s front door.

*Any submissions sent for this prompt must have DOOR in the subject line.*

Prompt # 3 (Running for the month of April): Write a story that takes place at a rest stop and captures its limbo-like vibe.

*Any submissions sent for this prompt must have REST STOP in the subject line.*

**NOTE: The ‘FUTURE’ prompt is, at the moment, running sort of open-ended, so for those of you who are still emailing back and forth with me about your future piece, please note that this new prompt schedule will not affect your work. **

 

The first addition to the editorial team here at SLM is…drum roll…Nikki rae Spano. She’s coming onto the team as my Assistant Editor. She’s a brilliant writer, collaborator, and is dedicated to keeping SLM’s mission alive and reaching even more writers that might be stifled or have yet to find us. Look out for her editorial note, which is in the works.

We have a new submissions email! – the other one must be destroyed. Its backlog is slowly overwhelming and eroding the OCD portion in my brain. Email ALL submissions, submissions questions, and everything else to slmsubmissions@gmail.com.

You may address your submissions to me or to Nikki. As far as all of the submissions currently stuck in my personal inbox, if you’ve yet to hear back from me, re-send it to he new address. If we’ve been in touch, hang tight. My children bring regularly bring home severe colds and/or flus, and I am suffering from one of those two things at the moment. (Great, right? Just what I need.)

Unfortunately, I wasn’t joking. The old submissions email has been accidentally, maliciously destroyed by yours truly.  This is not necessarily a bad thing; it’s meant that I’ve had more time to spend with submissions, writers, photographers, and artists on how the post will look on the web site, and it has given me more time to tailor it and whatnot.

What I’m about to say in this next paragraph is REALLY IMPORTANT: IF you have submitted to the future theme SPECIFICALLY and have not heard one peep back from me yet, email me again, PLEASE, FOR THE LOVE OF GOD! The other day I accidentally archived things that weren’t meant to be archived. And, sometimes gmail likes to bury submissions in the spam / junk folder. I’m serious about this. I’m not asking you to pester me to the point of harassment, because I can and will probably lose my shit. But an email or 2 checking in on your future submission IF you’ve not heard anything would actually be extremely appreciated by me.

The only thing holding you back is YOU. I don’t care how cliche that is. I genuinely mean it. If your work needs guidance or help to make it shine, let’s work on it together. But don’t give up. If you write: if you derive joy, happiness, contentment, catharsis, or anything that’s slightly above a neutral emotion, then you’re a writer and you matter. You are apart of a community and you do belong.

NOW is the time to polish your work — every piece I publish from January the 1st up until right before the deadline is ELIGIBLE TO BE NOMINATED by me, by SLM, for the Pushcart Prize. My entries, which are limited to 6 per year, have to be postmarked by, at the very latest, December the 1st. The window for me to get them SLM’s entries for 2018 is from October the 1st until December the 1st and I take these nominations seriously.

I have a renewed sense of hope, excitement and passion for this magazine. And I hope you do too.

A few things: Heads up! There might (this means there will inevitably be) be more than a few template / layout changes to the site before I find one I like. Switching it up helps me to find the best way to reach you guys and to find out what sort of template you find the most aesthetically pleasing while being easily navigable.

We hope that the prompts inspire and/or excite you, that the content and the vibe here at SLM becomes infectious, and that you guys are looking forward to getting to work. Because we’re sure as hell excited. Here’s to moving forward.

Peace out, 

Keep doing what you do, 

zzzyy

Over and out, 

Kelly Fitzharris Faulk, Editor-in-Chief

Among the Stars – by Mary Johnson

Among the Stars

by Mary Johnson

 

The first thing she saw was a ceiling. It was gray, so pale it was almost white, and seemed to be made of metal. There was something hard under her body, and a light blue sheet over her. She heard the hiss and murmur of machinery.

She blinked and swallowed. Her mouth felt dry; so did her eyes. She swallowed again and said, “Arnold? Is anyone there?”

A tall man smiled down at her. “Doctor Singh? She’s awake,” he said.

Then a woman’s face appeared, dark like the man’s. Both wore blue caps and coats. “How are you feeling?” the woman asked. She had a lilting accent.

“Fine. I’m fine. Is Arnold there?”

“Who is Arnold?”

“My husband. Arnold’s my husband. Am I out of surgery?”

“No.” The woman’s voice was soothing. “You did not need surgery. We simply gave you an injection.”

“I don’t remember. I don’t remember that. The doctor said it was inoperable, but Arnold said there had to be something they could do. Where is he?”

The doctor hushed her. “Don’t think of these things. You’re doing very well. Are you hungry?”

She thought for a moment. Then she shook her head. “No, but I’m thirsty. May I have some water?”

“Of course.” The man appeared with a small clear cup. “Can you sit up? We’ll raise the bed.”

An engine hummed, and the bed pushed at her till she was half-sitting. The man held the cup to her lips, and she drank eagerly. “Would you like more?” he murmured, and she nodded. Another cup appeared at her lips, and she swallowed the water. “Good. You’re still not hungry?”

“No.”

“Good. The doctor says you should not try to eat. We will try that when you wake again.”

“Where’s Arnold?” she mumbled.

Where am I, she thought. But there was no answer.

 

#

The dark man and woman were standing next to her when she woke again. “Let’s get you on your feet,” the woman said. “I’d like to see you walk a bit.” Once again, she heard a faint hum from the bed, and found herself sitting up. “We’ll help you. We don’t expect you to take more than a few steps. Then you can rest. Can you swing your legs over the side of the bed?”

She tried to obey. Her legs felt like sticks of wood, as though they didn’t belong to her, but she was able to move them. The man stood at her side to support her. She stood. “It feels like pins and needles!” she exclaimed. “I don’t know if I can move.”

“The pins and needles are a good sign. We’ve been moving your legs for you since we treated your tumor, but that shows you can feel them. There is no nerve damage. Can you walk?”

Obediently, she slid one foot forward, then the other. “Try to lift them,” the man murmured in her ear, so she tried. She made it to the door of her room. By then, her legs felt heavy and she was strangely breathless.

“Good! That’s very good. We are going to continue with passive therapy twice a day, and we want you to keep walking, a little further each time.”

“I’m exhausted,” she said. “Where’s Arnold?”

“You asked that before. You said Arnold was your husband. Can you remember his full name?”

“Of course! Arnold Heller. Haven’t you heard of him?”

The doctor shook her head. “I’m afraid not. But we will certainly search for information about your family. The more you can tell us, the easier that will be. Please don’t worry. Try to rest now.”

#

How could she rest when she was so worried? But her body seemed very weak and tired, and when she wasn’t lying on her back, she was doing some sort of physical therapy or test. Always, there were the metal walls and floor and ceiling. Always, there was the faint hum of machinery. Always, there were questions, hers and theirs. Sometimes the questions were spoken.

“Your husband was Arnold Heller? Did you have other family?”

Did? What was with the past tense?

“Yes, of course! We have children. Arnie’s three, and Michelle is just one. Where are they? Where are my babies?”

“We’ll try to find out,” the nurse said, his voice soothing. “You’ve been asleep for a very long time.”

“How long?”

“We’ll try to find out,” he repeated. She stared. Why did he look so solemn, and why couldn’t he just answer her? But before she could ask another question, he asked, “Can you remember your name?”

“My name? P-Pearl. Pearl Heller.”

“Did you have a different name before you married?”

At that, she hesitated. All the other questions had been easy: she was American, she was twenty-eight years old, her parents were dead, and her husband was Arnold Heller. She’d been a daughter, a wife, a mother. But who was she? After a long moment, it came to her. “Fletcher. Pearl Fletcher. How long have I been asleep?”

“We don’t know yet. We’ll try to find out.”

 

#

It was strange that she was so tired if she’d been asleep for days or months. The next time they took her for a walk, she managed to ask some questions. “Where am I?” she said to the nurse walking beside her. “And what’s your name again?”

The nurse looked grave. “My name is Marcus Santos. You can just call me Marcus.”

“Thank you. But where am I?”

“Dr. Singh and the captain will talk to you when we get back to sick bay.”

“Sick bay? Are we on a ship?”

Marcus nodded. “We are aboard the Scholastica. We’re a ship of exploration and discovery.”

“Oh.” It must be a very big ship, Pearl thought. It traveled so smoothly; she couldn’t feel the ocean waves at all. “When will we come to land?” she asked.

“Not till next month. Here we are.”

#

The doctor was waiting for her, along with a tall woman with broad shoulders, full lips, and tightly curling hair cut close to her head.  She was brown-skinned, like Marcus and Dr. Singh, but then, Pearl had noticed that most of the people on this ship were various shades of brown. The strange woman clearly wasn’t a doctor or nurse, because she wasn’t wearing blue. Instead, she had a lovely red scarf draped over one shoulder.

Both women stood up when Pearl came into the room. “Ms. Heller,” the doctor said, “can you tell me what year it is?”

“Of course. It’s 2017.”

“I see. Will you sit down, please?”

Pearl obeyed, and the doctor poured water into a glass, staring at her gravely. The tall woman said, “I am Captain Sands.”

“Pleased to meet you,” Pearl whispered, and held out her hand. After a pause, the captain took it and shook it. Then she licked her lips and continued, “The year is 2517. You are aboard a spaceship. We discovered you floating in space in a cryogenic capsule.”

“In a–what?”

“A cryogenic capsule. You had been frozen.”

“No. Oh, no,” Pearl said, shaking her head. “I was going in for surgery. The first two doctors said the tumor was inoperable, but Arnold said we’d get a third opinion. He said,” her voice dropped. “He said he wouldn’t let me die.”

“Did he?” The captain had a deep, warm voice, like velvet. “Well, you’re alive now.”

“I don’t know. I don’t know that.” Pearl could hear her own voice rising. “If I’m alive, where’s my husband? Where are my children?”

The doctor stood and pressed the glass of water into Pearl’s hand, saying, “Drink this, please.”

In the past year, Pearl had grown accustomed to obeying doctors. Before that, she’d done what Arnold had wanted, and before that, she’d obeyed her parents. She took the glass and sipped from it. Her hand was shaking, and the water tasted a little too sweet. “Is there something in here?” she asked.

“Just a mild relaxant. Please drink it.”

“No.” To her own shock, Pearl snapped her wrist so the water went splashing out of the glass toward the doctor. But she had already taken a couple of swallows. She could feel her muscles softening. She sobbed aloud, just once, and asked again, “Where are my children? Where are they?” The glass slipped out of her hand and bounced on the carpeted floor. Then she saw the captain shaking her head at the doctor. Next came a soft hissing sound and darkness.

 

#

Both women were by her bedside when she woke again, along with the nurse, Marcus. “Good morning, Pearl. Do you remember our last conversation?” the captain said.

“Yes.” Pearl turned her head away and closed her eyes.

“Can you sit up?” This time it was the doctor who spoke.

“I have a headache,” Pearl mumbled, but she sat.

“I think we may have some good news for you,” the captain said. “We began researching your family history, and it seems your son and daughter both married. You have descendants on Mars colony.”

“Mars. Why should they care about me?” Pearl’s voice was flat. What she meant, but couldn’t manage to say, was, why should I care about them?  “They don’t know me. They don’t know my children. Everyone I ever knew is dead.”

“We can get in touch with them, if you like. Please think about it.”

 

#

She did think about it in the days that followed, while she worked at her physical therapy and all the other tasks the doctor wanted her to do. The only thought that came to her, over and over, was the one she’d spoken aloud: her children were dead. She could not stop mourning them.

Little Arnie had just entered the nuts-about-dinosaurs stage. He loved going to the natural history museum and pointing out everything there to anyone who would listen. She could hear him saying, “Look, Mommy, that’s a ‘ceraptops. He used to fight with T Rex!”

“Who won?”

“T Rex! He ate him!”

Pearl smiled. “Are you sure? He doesn’t look like anyone ate him.”

“Yes! T Rex always wins.”

“So who’s your favorite dino?”

“T Rex! Oh, look, that’s a terasaur!” He was too little to pronounce all the difficult names, but he already knew everything about dinosaurs. He’d tell the whole museum all about the lives and habits of the flying monsters, while Michelle gurgled and waved at her brother from her stroller. Such bright, happy children.

And now they were dead. Dead and buried and turned to dust. She would never see them again.

#

She kept thinking of Arnold, too. He’d loved science fiction. On the shows he watched, starship crews had uniforms and ranks and strict schedules. The Scholastica wasn’t like that. It was like nothing she’d ever imagined. Here, people moved to a soft sound of bells, and there were snatches of song and laughter.  Of course, the doctors and nurses had their blue coats and caps, but otherwise, there was no uniform, except that everyone wore black shirts and skirts or leggings or trousers. They had soft black shoes or slippers or sandals; some went barefoot. The only mark of rank was a long, bright square of cloth. Some were red, others yellow or green or blue. People wore their scarves differently, tied at the neck and flowing down their backs, or over one shoulder, or round their waists as a sort of skirt. They had one knot, or two, or three. Marcus, like some of the men and women, wore his scarf as a sort of sarong, tied round his chest and falling to just above his knees.

He took her on a tour of the ship when she was strong enough, showing her the library, the gymnasiums, the cafes. “And this is my favorite place. Our oxygen well. It’s right in the center of the ship, and anyone can come here when they’re off duty,” he said, walking through a double door.  Pearl gasped as the warmth and humidity hit her. She was in a greenhouse. A palm tree rose toward the ceiling in front of her, and there were bright purple and yellow flowers everywhere. It was lovely, she had to admit, but she didn’t feel drawn to go back when she was pronounced fit to walk around the ship on her own.

No, the place that drew her was a common room with a view of the stars. You could stare out the small, oval portholes and watch them streaming by in streaks of red and blue and white and gold. The stars reminded her of her husband.

He’d been more than twenty years older than she, and he sometimes talked about his death. “I’ll be up there,” he’d told her, peering through his telescope. “Take a look! I’ll be right up there among the stars and you’ll always be able to see me.” She smiled, because that was what he seemed to want her to do. “I’ll look for you,” she promised. “But that won’t be for a long time. Not for years and years. I don’t want you to die!”

“Hey, sweetie,” Arnold hugged her from behind. “I bet, years from now, we won’t have to die. Just think of the progress we’ve made in the past century alone! If I get cancer or something like that, I’m going to get frozen. They can thaw me out when they have a cure.”

“Ugh!” Pearl said. She couldn’t see that being frozen was any better than being dead. “Don’t talk like that! You’re not going to get cancer.”

She’d been right. Arnold hadn’t gotten cancer. She had. Inoperable cancer of the brain. And she’d been frozen. Had he done it, too? Was his body, still encased in ice, floating somewhere out there among the stars?

It might be. She remembered now how they’d gone to his lawyer together and signed living wills. It seemed like a good thing at the time. “This way we’ll be able to decide for each other if either of us gets very sick.”

“But you won’t get very sick. I know I won’t! Not any time soon,” Pearl said.

“Sure, of course not! You’re young and healthy, and I try to be. But you never know. Remember, sweetheart, if I ever get too sick for them to operate, I want the cryogenic option. I’ve written it down. I want that for you, as well. We can both live in a glorious future!”

“What does that mean?” Pearl thought their future, watching the children grow up, would be glorious enough. She didn’t want more. But Arnold was a dreamer. That was one of the things she loved him for, after all. So she didn’t argue very hard. She signed the form.

Now she wished she hadn’t. It just wasn’t right, this cryogenic option.

 

#

That was what she thought of when she stood at the porthole in the center of the common room and stared at the rainbows of stars flashing by. She was in outer space, far beyond her own solar system, and her babies were dead. Her husband was dead. Why was she alive? She spoke the thought aloud: “I should be dead.”

A voice spoke behind her. “Your life is a gift. You may not throw that gift back in the giver’s face.”

Pearl jumped. She’d thought herself alone, but the doctor had come up behind her. Pearl felt herself shaking. Was she afraid? No, she realized with something like surprise. She was angry. “I didn’t want this!” she shouted. “No one asked me if I wanted this! You should have left me alone!” Pearl swung an awkward slap at the doctor, who caught her wrist and held it. “You should have let me die! I’d rather be dead! Let me go!”

Doctor Singh dropped her wrist. “I must defend myself if you hit me again. It’s all right to be angry. I understand. But don’t hit me again.”

“I’m sorry,” Pearl gasped. “But I–”

“You just want to hit someone? Who are you angry with?”

“I–you! I’m angry at you! You should have left me alone!”

“All right. I understand,” the doctor repeated.

“No. You don’t. You can’t. You can’t possibly understand. Leave me alone!” Pearl whirled away and stared out the porthole. The stars blurred and streaked into swirling lines. She heard quiet footsteps, then silence. Then the sound of the door sliding open. “Miz. Fletcher? May I speak with you?”

Pearl kept staring out at the stars. “It’s Mrs. I’m Mrs. Heller.”

“I apologize. We keep our own names when we marry.”

“We don’t. I didn’t. What do you want?” Pearl turned. The captain stood just within the doorway, staring at her gravely.

“Doctor Singh is deeply concerned about you,” the captain said.

“Well, good for her. Let her be concerned. She should have left me alone. Why didn’t you leave me alone?”

The captain took a deep breath and crossed the room to stand next to Pearl. For a moment, she looked out at the stars. Without turning, she said, “Let me try to explain. We are a ship of exploration and discovery. When we saw your capsule, we didn’t know what it was. We brought it aboard to find out. When we saw it contained a human being, and that she might be alive, we naturally tried to rescue you. Life is a great gift; it’s precious. We are bound to try to serve life. Had we known your wishes, we might have left you alone. But we didn’t know.”

“Okay. You do now. Can’t that doctor give me an injection or something?”

“Let me be clear. You are asking if Doctor Singh will kill you.” Pearl was silent. She hadn’t actually thought of it that way. “She is a doctor. She’s taken the Hippocratic oath. She will not kill a healthy patient,” the captain said.

“But my babies are dead. They’re dead! Why am I alive?” To her shock, Pearl began wailing aloud. Ugly, loud sobs came up from her gut and shook her whole body. Captain Sands embraced her, and Pearl clung to the older woman as she might have clung to a tree in a flood. The captain stroked her the way she used to stroke little Arnie after one of his tantrums when he was overtired. Pearl sobbed and sobbed.

“That’s good. That’s good. Let it all out,” the captain said. Pearl leaned on the taller woman. She wasn’t sure she could stand without the captain’s support. “It’s hard. I know. It’s hard to lose someone you love,” the captain whispered in her ear.

At last, Pearl managed to stand on her own. She wiped her eyes with the palm of her hand. “I’m sorry. I got your beautiful scarf all wet.”

“Nothing to be sorry about. It’s only a scarf. You’re a human being. You good now?”

“I think so.” Pearl wasn’t sure; she wasn’t sure what “good” even meant in this new world. After a moment, she asked the captain, “Do you have children?”

“Two. A boy and a girl, like you. But they’re grown now, off studying. My boy wants to be a monk, but I think he’ll change his mind. I can’t see him as a monk.” The captain looked straight into Pearl’s face. “I know it’s the wrong way round. It’s hard. But we all lose our children someday.”

“But–”

“When you went in for surgery, didn’t you think you might die?”

Pearl paused. “Yes. I did. I was afraid I might never see Arnie and Michelle again. But that’s different.”

“Is it?”

“Yes. Yes, it is.”

“Okay. I can see that. I’d hate it if my son and daughter died before me.” The captain sighed. For a moment, she stood next to Pearl, staring out at the stars.  Then she said, “We’ll be entering the solar system within seven more solar days. We were on our way back when we found you. We’ll be stopping at Europa colony and Mars colony before we get to Terra. Have you thought about what you’ll do?”

Pearl shook her head.

“All right,” Captain Sands said, and laid one hand on Pearl’s shoulder. “You’ve got time. One thing I wanted to tell you. You’ve got a great-great-great-great granddaughter on Mars colony. She’s a grandmother now herself, and she’d love to see you. Her name is Michelle.”

“Michelle,” Pearl said softly. And then she was in tears again, but this time they were silent and peaceful tears. She let them run down her face and stared out at the kaleidoscope of stars. A bell chimed. When she dried her eyes and turned round, the captain was gone.

 

 

 

 

 

#

Nine days later, the Scholastica stopped at Europa colony. Pearl had been thinking hard. What would it be like if she were told she could meet an ancestor of hers from the 16th century? What on earth could they even talk about? “I don’t know what I can do for her,” she murmured aloud. She was in the sickbay, being checked after more physical therapy.

“Who?” Dr. Singh asked.

“This woman, Michelle. She doesn’t know me.”

“But she wants to know you. Isn’t that right?”

But what do I want? Pearl thought to herself. All her life, she’d done what other people had expected of her. Now she was alone. What did she want?

“You said you didn’t know what you could do for Michelle Forrest. Maybe you don’t have to do anything for her. Maybe she wants to do something for you.”

Pearl didn’t answer. “Right. You’re doing very well; pulse and blood pressure normal. You’re free to go,” Dr. Singh said, and Pearl slid off the examining table and walked back to the common room with the view of the stars.

Mars colony. She thought of that when she looked out the central porthole. She thought of the doctor’s words. Wouldn’t she have enjoyed showing her life to her 16th century ancestress? TV and handheld telephones, hot showers, the children playing on their iPads, cars and trains and everything else that was so familiar to her, but that would have seemed like marvels to a woman from five hundred years in the past? She was sure she would.

But who was she, Pearl Fletcher Heller? She’d always defined herself by her family. She had been a daughter, a wife, a mother. Now she was none of those things. Who was she, herself?

She walked back to the infirmary and said to Dr. Singh, “May I speak to the captain, please?”

“Yes, of course.” The doctor pressed a button. A moment later, there was a chime, and the door slid open. Captain Sands said, “You wanted to see me?”

“Yes.” Pearl licked her lips, which had gone very dry. After a long pause, she said, “I wondered–I wanted to ask. Do you think my husband could be out there? Floating in space, the way I was?”

“It’s possible.”

“And my children?”

The captain said nothing, merely shaking her head.

“I think I want–I want to know. To find out what happened to them.”

“We can help you look for records. There would be documents.”

Pearl sighed. “Okay. Good. I’d like to do that. But first, I think I’d like to go to Mars.”

“You’re quite sure?” The captain looked at her gravely.

“Of course not. How can I be sure of anything? But this woman wants to meet me. That’s a place to start, isn’t it?”

Captain Sands inclined her head. “Yes. I think you’re right. It is a place to start.

#

The captain, Dr. Singh, and Marcus all embraced her when she prepared to board the shuttle for Mars colony. “We’ll be back here in a month’s time,” Captain Sands told her. “If you wish, you can board again and journey with us. You will always have a home here.”

“Thank you,”

“I will do what I can to find out what happened to your husband and children. Michelle Forrest can also help you research. “Doctor Singh added, “We will see you soon. Be patient with yourself. You’ve been very brave.”

Brave? She’d never thought of herself as brave.

“Vaya con Dios,” Marcus said when he hugged her. Go with God. She wasn’t so sure she believed in God, but she appreciated his good wishes. For the first time, it occurred to her that he was handsome and kind. Would he miss her when she got on that shuttle?

She would miss him. She’d miss all of them. The Scholastica had begun to feel like home, but she wasn’t actually part of the crew. She needed to find a life. Maybe she would find it on Mars colony.

She squared her shoulders and walked through the hatchway into the shuttle.

# # #

I are a writer

Mary Johnson will always be grateful to her family for nurturing her love of story. Her father read her Lewis and Tolkien, her mother introduced her to the Greek myths, and she played endless games of make-believe with her sisters and brother. Her sisters are still among her first and best readers. Mary’s been published in “Mythic Circle”, in the “Westchester Review”, and now, for the second time, in Sick Lit.  You can find some of her other writing at her author page, where she welcomes comments and discussion. Visit her online at http://mjohnsonstories.net/, or at http://maryj59.wordpress.com/

Imagined Futures – Photography from Jason Jackson

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These images come from an ongoing project called Imagined Futures.
I’m interested in how the act of photographing something can remove it from its context, allowing it to become re-imagined as a scene from a dystopia. So, a mannequin in a Berlin shop window, an anti-Trump protest, a car-park, people on the street at night, and graffiti in a Bristol back lane and the gate to my local park all somehow become part of possible, imagined future worlds.
# # #
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 Jason Jackson takes photographs. He also writes short fiction and poetry. In a busy life he hopes to get better at all three.

Museum Girl – by Stacey Longenberger

Museum Girl

 

It’s like an old movie projector has switched on.

Soundless; blurry images of family and friends at birthday parties, Christmases, BBQ’s.  Nameless faces with funny hair and even funnier clothes waving at the camera.  Babies eating wrapping paper, mushing cakes.  Children jumping with joy over a gift.  Soccer games, dance recitals, school concerts, proms, graduations.  One image after another.  Just clips of everyday life.  Colorful but silent.

Then a faint whisper.  “She moved her head.”

Cold.  Why am I so cold?  What is that beeping?  That high pitched frantic beeping right by my ear.  What is that? 

“Her heart rate is racing.  How did this happen?”

“She’s been asleep for ages, how do I know?”

Two men are talking in harsh whispers.   Perhaps they’re trying not to disturb me but it’s too late.  What is that beeping?  It’s really annoying.  Am I in a hospital?

“Get Dr. Kelley!”

Yup, I’m in a hospital.  Why am I in a hospital and why do I feel frozen? I think my eyelids are frozen shut.  I can’t open my eyes!  “Her heart rate is still climbing.”  My heart?  I don’t feel my heart.  Wouldn’t I feel heart palpitations?  What has happened to me?  Why am I in the hospital?

“Dr. Kelley, It’s a miracle!  She’s woken up!”

“Are you certain?”

“Yes, sir.  Her neuro and cardiovascular monitors are going crazy.”

“Turn down the Vytronics machine.  We need to thaw her out.”

What is he talking about?

“Give her 220mg of Thiopental.  She needs to be sedated or the pain will be excruciating.”

Excruciating?  Why?  What’s happening to me? 

“Oh, Olivia.  I’ve dreamed of this day.”

The projector is back on.  I see a man’s face.  His smile is luminous.  He’s standing in front of a large canvas with brilliant colors.  An old woman now with a toothless grin sits before a birthday cake.  The man again on a beach.  Then the facade of a church.  A dog. A statue.  The man by an easel. His clothes covered in paint.  The images keep coming only to linger for a second and blur into the next until they fade to black.

Voices.  I hear voices.  “What’s her heart rate?”  “Eighty, sir.”  “Blood pressure?”  “One-ten over seventy.”  “Blood oxygen level?”  “Ninety-eight percent, sir.”  “Beautiful.  She’s coming along beautifully.”  Who’s coming along beautifully?  Me?  There are other noises around me.  A dull buzz of activity and whispers.  And light.  There is so much light behind my eyes.  I can feel a warmth that I want to embrace but can’t.  Touch.  Someone touched me.  Who is that?  There it is again.  More touches.  What is happening?  “Olivia.  Wake up and greet the world beautiful girl.”  Olivia.  That’s me.  I’m Olivia.  I open my eyes.  “Who are you?”  My question is addressed with loud whoops and clapping.  Noise.  So much noise.

People are shouting “it’s a miracle,” “amazing,” “astonishing,” and, “congratulations!”

I slowly look around and take in my surroundings.  I seem to be lying on a bed and there are a group of people to my right laughing and crying with happiness.  They’re hugging each other and staring at me with awe.  I don’t recognize one face amongst them.  I turn to my left and cannot believe my eyes.  Approximately four feet from where I lie is what looks like a clear, thick window.  Beyond that are movie theater rope partitions corralling possibly hundreds of people and they are all looking at me with amazement.  Their hand gestures and faces tell me they are making noise but I can’t hear them.  On the far wall behind them are paintings.  Large, beautiful canvases displayed on clean charcoal walls.  I recognize a Cezanne.  I turn my head back to the right and ask “Where am I?”  A man gently approaches and says “Oh, Olivia, Olivia, Olivia, it is such a pleasure to hear your voice.  Such a beautiful sound.”  This is the man I asked a minute ago who he was.  He has a kind face and is looking at me with so much love that I must know who he is.

But I don’t.

Do I have amnesia?

“I am Dr. Kelley, Olivia.  I have been taking care of you for a while now and I am so pleased to meet you.”

“For a while?  How long have I been here?  Is this a hospital?”

“No, we’re in a museum and we’ll tell you all you need to know in due time.   Right now I need to know how you feel.”

“How I feel?  I’m feeling freaked out right now, Doc.  Why am I in a museum?  Who are all these people?  Why are they staring at me?”

“That will all be explained but I need to know how you feel physically.  Any aches or pains, soreness or numbness, pins and needles, dizziness?”

I take a second to self-evaluate.  I shake my head, no.  “Can you wiggle your toes?”  Good question. I give it a try and yes, I can wiggle my toes.  “How about your fingers now?”  I move my fingers but when I try to lift my arms to bring my hands up, I realize my wrists are restrained.  Dr. Kelly must have noticed because he calls for someone to remove my restraints.  “I’m so sorry, Olivia, but we didn’t know just what state you would wake up in.  We had to protect you from yourself.  Just in case.”

The restraints are removed and I slowly raise my arms up and down wiggling my fingers the whole time.  “Excellent,” says Dr. Kelley.  “We’ve had physical therapists working with you every day and it seems to have done the trick.”  I just stare at him.  I have no words right now.  I turn my head toward the crowd to my left and they all start waving, and smiling, and jumping for my attention.  I’m like an animal in a zoo.  Towards the front of the crowd, a child is holding up what looks like a poster sized iPad with “Welcome Back” written in a child’s handwriting on the screen.  There are flowers and hearts and rainbows all around the words.  The colors are so pure.  That device must have cost a fortune.

Welcome Back?  Where did I go?

I suddenly feel very tired. I also want to cry but I don’t cry in front of people.  Especially strangers and I am surrounded by strangers.  Not one face is familiar.  As I stare out at the crowd they start to fade away.  The glass window is slowly tinting until it is a black wall and I can no longer see the people.

“I think that’s enough for now.  Let’s close the exhibit for the rest of the day.”  Those words aren’t directed at me.  Dr. Kelley is giving directions to the group to my right.  I now notice they are all wearing lab coats.  My eyes are so heavy now that I can’t keep them open.  I wonder where I’ll wake up next time.

I am in my house.  It’s a mess as usual.  I’m walking through the rooms stepping over clothing, books, boxes from Amazon. Someday I’ll clean this up.  I’m carrying two coffees.  Both black.  One is in my favorite mug that I made in college.  I go out the back door.  The air is crisp but the sun is bright.  It’s the perfect fall morning.  Across the overgrown lawn I walk to our studio.  A converted two car garage, it’s our sanctuary.  I kick the door lightly with my foot and wait a beat until the door opens slowly to the outside.  First I see a tan hand with blotches of paint then a muscular forearm and then that smiling face.  Paul.

Paul.  I force open my eyes.  “Paul!”

“She’s awake!”

“Where’s Paul?”  I’m trying to sit up, but they have me restrained again.

“Please.  Take these things off.  Please.  I want to see my husband.  He’s probably worried about me.  Please.”

A young woman is just looking at me.  Her expression changes from wonderment to sympathy to a mask lacking any emotion.  “Dr. Kelley will be in momentarily.”  I suppose that was meant to appease me.  “I don’t care about Dr. Kelley.  I want my husband.  Paul.  Go get him.  Tell him I’m awake.  To hell with Dr. Kelley.”  She just ignores me and keeps staring.  “Boo!” I yell as I quickly raise my head and it startles her but doesn’t deter her gaze.  “What are you staring at?  You’re being terribly rude.”  Yelling now, I command, “Go get my husband!”

Dr. Kelley walks into the room.  “Good morning, Olivia!  How are you feeling today?”

I ignore his question.  “I was just telling Nurse Ratched here to get my husband.”

He looks at me quizzically. “She is not a nurse.”  He turns to the woman, “Why does she think your name is Ratched?”

“I don’t know.  Perhaps it’s a reference from her time.”  They speak like I’m an inanimate object and then both turn to stare at me.  I stare right back.  We have quite the contest until Dr. Kelley losses by saying, “This is Dr. Lona, my protégé.”  I look to her and with a sarcastic bent proclaim, “It’s so lovely to meet you.”

Dr. Kelley continues, “Dr. Lona has been helping me oversee your care for the past few years now and has done an exceptional job.”  Dr. Lona seems to blush as she nods her head in gratitude at his statement.

I, however, am startled by his statement.  He must have misspoken.

“Excuse me, years you say? She’s been caring for me for years?”

Both doctors look sheepish, as if something was said that shouldn’t have been.  Dr. Kelley tries to pass it off as unimportant, “Oh we’ll talk about that all later.  For now we need to get you up and moving.  We have a big day ahead of us.”  Dr. Kelley turns away, gestures, and a group of people walk in.  Three women and two men all in lab coats surround my bed.  One of the women sets to work removing my restraints.  One of the men then walks to the wall by the door they entered from and starts tapping on a screen.  It registers now that I am in the same place I woke up in before and the wall to the left of me is still black.  A noise from above grabs my attention and I peer up to see a robotic arm of some sort drop from the ceiling.  It looks like a small camera in the shape of one of my vacuum attachments.  It sweeps over me in one rapid movement and then retreats again to the ceiling.  A second later a detached voice announces, “All vitals are stable.”

“Excellent!”  That’s Dr. Kelley again.  “Now, let’s get her up.”

I have been mute since the pronouncement of a “big day,” but as I watch all these people reach for me seemingly to get me up, I start screaming.  Screaming from the very core of my being.  Deep, angry screams.  I have reached my breaking point and I want answers.

“Don’t touch me!  I want to know right now who all of you are, where are we, why am I here and Where. Is. My. Husband?!”

I go to sit up, because I just realized that I can, and the room spins.  Hands to my head I lie back down and take deep breaths.  The room is silent except for my heavy breathing.  They are all just staring at me.  Again I am an animal in a zoo.  Then I notice Dr. Kelley and Dr. Lona whispering to each other.  That makes me nervous.  I slowly start to sit up again and the spinning isn’t so bad.  I hear gasps at my movement.  I need to remain calm and appear rational or they’ll drug me again.  Now that I am sitting up I can feel a port of some sort in my back.

“Please.  Please.  I need answers.  Put yourselves in my place.  Wouldn’t you want answers?”

This seems to bewilder them as if their ever being in my place would defy logic.

I can actually see the cogs turning by their expressions.  As they mull over my plea to their humanity, I look around the room.  It’s an utterly stark white space and I immediately loathe every square inch.  Except for the now black window, the space is so white that it appears seamless.  You can hardly tell where the floor and ceiling end and the walls begin.  It’s like being inside a white bubble.

“Are we in a bubble?”

That seems to break their meditation.

Dr. Lona is the one to respond, “We are in a bubble of sort within a museum.  We are here as part of a performance art exhibit.

Dr. Kelley continues with, “Now that is all that we are at liberty to tell you right now.  Cooperate with us and very soon you will have all the information you need.  Now what we need is for you to be a good girl and allow us to help you.”

He says this with a smile on his face and I want to smack it right off him.  My first instinct is to rip into him for his condescending words but I know as much as I hate this man, I need him.  I’ll have to find Paul on my own and I have to get out of here to do it.

Then something occurs to me, “Can I have my cell phone please?”  All the Coats look at each other with amused smiles.  Dr. Lona responds with “Your cell phone won’t help you here.”  “No I have Verizon.  I usually get great reception.  May I have it please?”  Again the amused but confused stares.  Stay calm, stay calm, stay calm.  I chant this to myself while I stay focused on my breathing.  Dr. Kelley claps his hands, “okay that’s enough of that.  Let’s get you up.”  He leads the way over toward me and the rest of the Coats follow.

I’m incredibly frightened but continue my chant as they reach for me.  I cringe from their touch but they are not deterred.  Within seconds my feet touch the immaculate floor.  I’m being held up by two Coats with one under each arm.  I look down and see their feet next to my bare ones.  I notice that someone has given me a fabulous pedicure and that their shoes are rather odd.  Must be European or something.  “Can you take a step?” the Coat under my right arm asks.  I look at his face for the first time.  He has very interesting facial hair in that he has lines shaved into his beard.  Three stripes on each cheek and no mustache.  The beard is closely shaved and ends at his jaw line.  “Vanilla Ice used to do that to his eyebrows.”  Striped beard just looks at me confused.  I clear my throat, look to my feet and take a step.  And then another and another.  I go to lift my arms from the Coat’s clutches and, after a gesture of approval from Dr. Kelley, they allow it but remain by my side.  I take a few steps and feel good if just a little bit stiff.  Nothing a good yoga class couldn’t help.  Paul will help me.  We always do yoga together.  Thoughts of Paul make me want to cry but I will not cry in front of these people.  Stay calm, stay calm, stay calm.  My mantra for today.

After a few more independent steps I stop and look at them.  “Remarkable.  You are an absolute miracle and I must say I’m feeling awfully proud.  Like a father watching his child take her first steps.”  Again I want to smack Dr. Kelley across his smug face but I don’t.  I just follow my mantra and stay silent.  For the first time I take a good look at him.  At all of them.  They are all very well groomed.  The colors of their hair appear natural but incredibly vibrant.  Like HD hair.  No grey, no frizz.  Their skin is flawless and luminous but appear free of makeup.  Even the women.  No makeup just natural flawless beauty.  Their clothing under their lab coats is peculiar.  Very tailored and perhaps seamless though I’m not close enough to confirm that.  I look down at my own clothing aware of it for the first time.  I’m in a snowy white form fitting bodysuit.  I can’t identify a seam or stitch anywhere.  I run my hands down my torso and the hand of the fabric is like nothing I’ve ever felt before.  It must be some amazing silk, cashmere, cotton blend or something.  I wonder if L.L. Bean carries this.

The Coats have all been patient.  Just watching me take everything in.  “Now Olivia, you’ve already met me of course and Dr. Lona but let me introduce you to rest of your team.”  He gestures to the two Coats who helped me walk.  He says Striped Beard’s name is Dr. Dax and the woman is Dr. Beckett.  “They’ve been in charge of your physical therapy and are the main reason you are able to walk today.”  He looks at me expectantly.  I guess this is where I’m supposed to say thank you.  “Thanks.”

They both smile and nod while Dr.  Beckett also chimes in with, “You are very welcome.  It’s been fascinating.  We’ve learned so much.”

“Well, good for you,” is my response.  Perhaps not the most gracious but I really don’t care.

“Next over here we have Cheryl who is your massage therapist and Daniel and Tracey who are in charge of your grooming and personal hygiene.”

I smile and start to say thank you when they all gasp.  “Her first smile!  Oh, how beautiful!” exclaims Daniel.  He does a little clap bouncing thing and both him and Cheryl are beaming with delight.  “Yes, yes, she truly is beautiful but we need to get moving now.  The exhibit will open shortly.”

“Of course, Dr. Kelley.” Daniel moves to a wall where a screen appears at his approach.  He taps a few times and walks away.  The screen fades away.  You would never know one was there.  This place is pretty high tech.  Now the door opens and two men in white seamless jumpsuits (similar to mine but with a baggier industrial-like fit) walk in carrying a large white chair.  They set it down and pick up the bed I had been lying on and walk out. A second later they return with a white table.  They move both the chair and table close to the black window in the center of the room.  They leave and return for a third time with an easel, a canvas, and a box full of paint and art supplies.  At these items it is my turn to gasp.  I recognize that easel.  It’s mine.  My parents bought it for me when I got into art school.

“Why do you have my easel?”

“Oh good, you remember,” says Dr. Lona.  “We weren’t sure how your memories of such things would be.”

“Of course I remember.  Now, why do you have it?”

“We have a lot of your property here at the museum.  It’s all part of the exhibition.  Speaking of which, it’s going to open any minute.  Daniel, do you have her clothing?”

“Yes, right here, Dr. Lona.”  In his hands are a folded stack of clothes.  He places them on the table.  “Do you remember these?” he asks me as he holds up my favorite yellow sweatshirt and then my favorite beat up Levi’s.

“Yes, of course.”

“Would you like to put them on?”

Yes, yes I do. Tears return to my eyes as I see my clothes.  Maybe this means I’m on my way out of here.  It seems like they have to get to work at whatever exhibit they’re talking about anyway.  I walk over to Daniel and eagerly retrieve my clothes.  “Where can I change?”

“Oh sugar, we’ve all seen it all.  Don’t be shy.”

“No, I would like privacy please.  Where can I change?”  Daniel frowns with compassion, but Dr. Kelley speaks, “We cannot give you privacy.  You will change here and please do so quickly.  We are running out of time.”

“I don’t care about your time constraints, Dr.  Kelley, I want privacy.”  My cool is slowly becoming unraveled.  Dr. Kelley and Dr. Lona share a look that makes me nervous.  The “she’s not cooperating again” look.  “Okay, okay.”  I turn my back so then at least I don’t have to see them but quickly realize I don’t know how to take this bodysuit off.  There aren’t any buttons, zippers, velcro, nothing.   Then Daniel throws a tip over my shoulder, “You just pull at the neck and it will open down the front.”  I do as instructed and amazingly, the fabric splits down the middle.  Kind of a shame though. The fabric is so beautiful.  As if reading my mind, Daniel tells me, “The fibers have memory and will mend themselves after you step out.”

I step out and hold up the bodysuit by the shoulders and right before my eyes the fibers mesh back together.  “Quickly, please.”  Dr. Kelley breaks my amazement.  I slowly fold up the bodysuit and place it on the table.  Then I reach for my clothing and find my favorite comfy bra and cotton thong.  I bought them at Target so long ago it’s embarrassing but they are so comfortable.  I put them on, enjoying the waves of frustration I feel coming from Dr. Kelley.  Then my jeans and sweatshirt.  I’m looking for socks and shoes when Dr. Lona asks, “You like to paint bare foot, don’t you?”

“Yes, usually, but I need shoes to walk out of here.”

“You’re not walking out of here.”

“I don’t understand.  Don’t you all have to get to work on some exhibit or something?”

“Olivia, you are the exhibit.”  With that the black window changes to clear and reveals a mob of people.

Just like the last time, I can see the mob’s excitement but not hear it.  There are several of those poster iPad signs.  I walk towards the glass and their excitement grows.  I can see now that they’re not iPads after all.  At least not a kind I’ve ever seen.  They’re flexible.  Actually being waved and waving with the movement and the colors are as vivid as any I’ve ever applied to canvas.  I’m right up to the glass now.  I put my hands up to touch it.  It’s cold and hard and it anchors me.  What I’m seeing is so surreal.

“Welcome Back, Olivia!”

“Happy Re-Birthday, Olivia!”

And then the most confusing of them all, “Welcome to 2517!”

I’m sweating. I feel light-headed and nauseous.

“Are they a part of the exhibit also?”  I point to the crowd.  I’m wondering if we’re all being filmed or something.  Is there another crowd somewhere else watching all of us?  It’s all so bizarre but there must be a rational explanation.

Dr. Kelley shakes his head, “No, Olivia.  What Dr. Lona said is true.  You are the exhibit.  We are in the Art & Science Museum of North America.  You personify the beauty that is created when art and science combine.  You are incredibly famous and all these people are here to see you because you woke up.”

“I woke up.”

They all nod.  I turn my back on them and stare back out at the people.  One little girl is waving at me so fervently that I have to wave back.  When I do the crowd goes crazy.  My vision is getting blurry.  I’m sweating so much that my clothes are sticking to me.  My hands are back up on the cold glass and I lean my forehead on it but that doesn’t help.

I know I’m going down.

I’m back on the bed.  At least I think I am.  I don’t want to open my eyes yet.  I hear whispers, but can’t make out what they’re saying and nor do I care.  Maybe if I keep my eyes closed long enough I’ll sink into oblivion and away from this nightmare.

“She’s waking up.”

Crap.  How did they know?

“You gave us quite the scare there, Olivia.”

I don’t answer.  If I ignore them maybe they’ll go away.  Someone pulls my left eyelid back and I flinch at the sudden intrusion of light.  I rock my head and raise my hands to ward off the prodding fingers.

“Leave me alone.  Please, just leave me alone.  I just want to go home.  I just want to see Paul.  I don’t understand why this is happening to me.”  I can’t hold back the tears anymore.  I cry quietly rolling into the fetal position.  I am so lonely and confused.  No one touches me.  No one says anything but I know they are there.  Watching.  Observing.  Analyzing.  I can feel the heavy gaze of their judgment.

Time passes.  I don’t know how much but I’m empty of tears.  I feel as if I’m drifting off to sleep and I am thankful.  At least in my dreams I can be home.  I can be with Paul.

“Olivia, I think it’s time for us to talk.  We underestimated how disturbing this all would be for you.  You displayed minimal brain activity all through your coma so we assumed that if you ever woke up, we would be dealing with a woman of minimal mental competence.”

I don’t respond.  I just want to sleep.  I just want my dreams.  Remarkably, they take the hint.  Dr. Kelley ushers the team out but not before he lets me know they will be back tomorrow.

I’m driving our Jeep.  Paul drank too much otherwise he would be driving.  He hates when I drive.  He’s passed out in the passenger seat with his head resting against the window.  I’m singing along to John Mellencamp and driving up the dark, narrow, winding road toward our neighborhood.  There is a glow at the top of the hill we’re climbing; mere seconds later, headlights are speeding right toward us.

I have no time to react before the horrifying noise leads to blackness.

I awake with a scream.

What was that?  Were we in an accident?  Is that what happened?  Is Paul dead?  My heart is pounding and I start crying again.  That must be why he’s not here.

The door opens and Dr. Lona walks in.  “Hello Olivia.  Are you alright?  Did you have a bad dream?”

I sit up to face her.  “Paul is dead, isn’t he?”

Her usual mask turns sympathetic and she slowly nods her head.  My comprehension is slow but her expression doesn’t change.  Paul is dead.  My cries explode into wails.  Hands to my head, I violently shake it, incredulous with grief.  “No!  Nooo!  That can’t be true!  He said he would never leave me!  My parents left me!  He said he never would!  Nooooo!”  My screams echo through the otherwise silent room.  My body is shaking with the grief; the pain.  Tears and snot are streaming down my face.  “I’ll give you some time.”  From her tone I can tell she’s uncomfortable.

She leaves the room where my heart has been ripped out and now taints the immaculate floor.

I must have cried myself to sleep.  My hair is being smoothed in a soothing, rhythmic motion and it brings some comfort.  My mother used to do that to me as a child.  I just lie still and try to focus on the gentle touch.  I pretend the hand belongs to my mother, my guardian angel, and she’s come to help me understand all this.

A few minutes pass and I hear Dr. Kelley’s voice ask, “Is she awake?”  The hand startles and then withdraws.

“Yes.”

So Dr. Lona is my angel.

“Has she spoken?”

“No.  Dr. Kelley, I would like to be the one to explain the situation to Olivia.  I think she might respond better if it’s one on one, woman to woman.”

There’s silence for a few beats before he responds with, “Very well then.  You will be observed however; so choose your words carefully.”

A few seconds later I hear, “He’s gone now.  Please open your eyes.”

I don’t.  I’m not ready to face the music yet.  A few moments pass.

“Olivia, please open your eyes.  I have a lot to tell you and much of it is rather complicated so I need to know you are truly hearing me.”

I don’t want to truly hear her.  Now that I know about Paul, I have no interest in what she has to say.

“Olivia, I have a letter for you from Paul.”

My eyes fly open and I quickly sit up.  “I thought that would get your attention.”

”Let me see it,” I say while holding out my hand.

“I need to explain some things first.  This letter won’t make sense unless I do.”

I nod in response and then say, “Okay, go ahead.”

“On January 1st, 2017, you and Paul were in a car accident.  The woman in the car that hit you was drunk, had a fight with her boyfriend, got in her car and drove off.  It was a head-on collision.  She died instantly.  You and Paul both sustained terrible, life-threatening injuries.  You fell into a coma.  Paul eventually gained consciousness and after many surgeries and hundreds of hours of physical therapy was healthy and strong enough to leave the hospital.”

I go to say something but she holds up her hand to stop me.  “I will explain.  He was able to leave but he hardly ever left your side.  He just sat at the side of your bed and talked to you, read to you, sang to you.  Friends and family encouraged him to try and get on with his life but he wouldn’t hear it.  He was your advocate and oversaw every part of your care.  He spoke to doctor after doctor, researcher after researcher, looking for a way to wake you up.  Your injuries healed but you kept sleeping.  By then he was almost ruined financially.  Paying for your care and his medical bills was crippling.  He had to start working again so he brought his art supplies into your hospital room.  You were his muse and he painted you over and over again.  He would post his work on social media and write about you to help raise money for your care.  Then a journalist for the New York Times wrote an article about you two and you both became famous.  It was such a romantic love story and the world loved it.  You both became recognized globally as talented artists and Paul was able to sell both of your works.  A film documentary followed that won an Oscar.  After that, money wasn’t an issue.  Everyone capable of investing in art wanted to own a piece of either yours or Paul’s work.  Through all this he hardly left your side.  If he had to be away it was never for more than a day or two.  This went on for years…….”

At this I held up my hand.  “Please stop for a moment.  This is all a lot to take in.”  My head is spinning.  I just want to run away; but where would I go?

“How many years?” I ask.

“We’re about three years into the story.”

Three years?

“I have so much more to tell you.  Are you ready?”

I’m not but I nod anyway.

“In 2021, Paul partnered with a doctor he became very friendly with to create a foundation that funds research dedicated to helping coma victims.  They would have dinners that cost thousands of dollars a plate and auction off your artwork, his own, and others donated by artists looking to make a name for themselves.  Work with the foundation kept Paul very busy and he wasn’t able to be with you as frequently.  By 2025 he was only coming on Sundays.  But he would still talk to you and read and sing.  He would always tell you how much he loved you and missed you and would beg you to open your eyes.  But in 2026, his relationship with his partner, Dr. Drizell, changed and they became romantically involved.  Once that became public knowledge……”

I tune her out.  Romantically involved. 

She announced that like she was announcing the weather.  If there was anything left of my heart, it has now gone up in smoke.  Smoke is going to rise up my esophagus and out my nostrils.  The image makes me giggle and Dr. Lona stops talking.  My giggle escalates to full on laughter.

“You said he was dead.  Which is it?  Is he dead or did he leave me for another woman?”  The idea of either one is so absurd it’s funny.  Morbidly funny.

“Both.”

My laughing stops and tears prick my eyes.

“As I was saying,” Dr. Lona continues, “the public was outraged.  They didn’t care that you had been in a coma for nine years and showed no sign of coming out of it, they wanted the love story.  But Paul had lost hope and Dr. Drizell seemed to hasten that for him.  She herself was a brilliant neurologist and you had been studied by the best in the world.  None of them were optimistic that you were ever going to wake up.  Then when Dr. Drizell became pregnant, he legally signed your care over to the foundation and him and Dr. Drizell left the country.  They lived in relative isolation in Sweden for 20 years, raising two children, before they were both killed in a car accident.”  She stops and stares at me.  It’s like she just tied that story up with a neat bow.  So matter of fact.  “Karma can be a real bitch,” she says and smiles.

Am I supposed to be happy that he died in a car accident in Sweden with his mistress?  My emotions can’t move that fast.  He is, or was, the love of my life.  The tears are just streaming down my face as I stare back at her.

I feel an overwhelming weight of sadness that literally pushes me to fall forward.  I almost hit the floor but Dr. Lona catches me.  “Whoa, are you alright?  I know it’s a lot to take in but we have a lot more to go over.”

“I’m done.  I don’t want to hear anymore.  Just give me the letter and get out.”

I’m sitting on the bed again with my hand out ready for the letter.  She sits back down and looks away as she says, “Unfortunately, I can’t do that.  I have been directed to give you the complete story.  You need to hear it and accept it so that we can move on with the exhibit.”

“The exhibit!” I yell.  “Screw the exhibit!  I don’t care about or even wish to be a part of any exhibit!”

“I’m sorry, Olivia, but you don’t have a choice.”

“Of course I have a choice!  I’m a human being and an American citizen.  I have rights!”

“The United States of America, as you remember it, no longer exists.”

I look at her in utter disbelief.

“Please just let me continue.  When Paul signed your care over to the Foundation he also stepped down as the head of the Foundation.  The new head was a brilliant man though he lacked a lot in the way of scruples.  His name was Dr. Lyle and he basically sold you to science.  He teamed up with a company that was researching the science of Cryonics.  This company was looking to unlock the key to immortality through freezing.  For years while you slept, they experimented on animals but when it was time to experiment on a human being, you were offered up.  You were frozen at the age of fifty-five and haven’t aged a day since.”

Fifty-five?  That can’t be right.

“I’m 35.”

Dr. Lona sighs in frustration at my lack of comprehension.

“You were 35 when you were in the car accident.  You were in a coma for twenty years before you were put on the Vytronics machine.”

She pauses and stares at me perhaps to let that sink in.

“What year is it now?”

She continues to stare.  She looks torn like she’s not sure if she should tell me.

“Just tell me!”

She jumps from the rage in my voice then sighs.

“Olivia, I will tell you but what you need to focus on is how important you are.  You, Olivia, are an absolute miracle cherished and loved by millions of people.”

“I don’t care.  I never asked for any of this.  What year is it?”

“Today is June 24th, 2517. You’ve been asleep and frozen for five hundred years.”

She says this with a smile and tears in her eyes.  She reaches forward and places her hand on mine and looks at me like a mother would her child.  I pull my hand away and start laughing again because she must be either joking or out of her mind.

“2517?  You can’t be serious?  2517, ha, ha, ha, ha !  Are we in space?  Is this museum on Mars?  Ha, ha, ha,ha….”

She gives me a hurtful look that morphs to very serious.  “No, we are on Earth but my sister lives on a new development station just a few hundred miles from Mars.  Not my cup of tea though.”

She’s straight faced and business-like.  The doctor is back in.  “Now that you know the year, here is the rest of what I am charged with telling you: The Olivia Phoenix Foundation still exists and the head of the board is Dr. Kelley.  He has been the head of the board and your legal guardian for the past eighty years.  For twenty of the past eighty you have been on permanent exhibit here at the museum.  Your awakening has created a scientific marvel; and it’s brought an exciting, revelatory element to the exhibit. And the Foundation’s board as well as the museum’s board are overjoyed about all the possibilities.”

“The possibilities,” I repeat.

“Oh yes, Olivia.  The possibilities.”

# # #

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Stacey Longenberger is a south shore Long Island girl, born and bred.  She left a career in fashion to stay home with her three kids and doesn’t regret it one bit.  Stacey loves to read and when she’s not reading, she’s creating a story in her head.  Every now and then, she writes one down.

 

 

 

 

 

 

The Leaf – by Susan Richardson

 

The Leaf

 

 

She woke up pissed off, with a pounding headache and the smell of disaster lingering in the air. It was her least favorite thing, waking up; it was just one kind of darkness leading to another, obscure shapes hiding in the shadows.  She kept her eyes closed as long as possible, trying to fall back to sleep, but it was useless.  She sat up, reached for her white cane and opened her eyes. The light was so bright, she recoiled from the assault of it.

 

She could barely breathe. What was happening? She hadn’t seen anything in years. Her first thought was that she must be dead; she had a way of veering toward the darker conclusions, and didn’t people say that you see a white light when you die? She held up her hand to block the glare, just in case it had actually been real, and opened her eyes again. She could see the details of her hand, light coursing between her fingers. Curiously, she touched her palm, fascinated by how smooth it looked.  She didn’t feel dead.

 

She tried to sit up, but her head was heavy and her limbs felt dormant.  Perhaps she was still asleep, and this was all just a dream.  She remembered taking a sleeping pill that felt a little different from the other pills in the bottle, but it didn’t seem like a big deal at the time.  She started to panic, mind racing, and jumped to her feet, searching in vain for the pill bottle. She felt her heart slamming against the wall of her chest and knew she was definitely awake. What the hell was going on?

 

She made her way cautiously around the bed and forced herself to pull her eyes away from the floor. The walls were saturated with what she imagined was sunlight, giving an otherworldly glow to the room, golden hues jumping out at her from every surface. She could feel herself starting to relax.  Her joints were loosening and her body felt better than it had in years. Her step was light and her breath easy. It was like she was 30 years old again, instead of her actual 50.  She stood for a moment, taking in the new sensations of color and movement, then turned to explore.

 

The door to her bedroom seemed to glow brighter than anything else in the room, as if it were beckoning her.  She had to see what was on the other side.  She reached the door in three graceful strides, but she couldn’t open it; there was no knob.  She pushed against it with her hands, but it didn’t budge.  She knocked on it lightly, and a glass bowl appeared in front of her, floating in the air; inside the bowl was an emerald green key. She picked it up; it was weightless and pleasantly cool to the touch.  She placed it delicately in the palm of her hand and it transformed into a leaf. She had never seen anything so green. The leaf began to sparkle and hum, as if it were made of something magic, newly forged and waiting for her touch.  She was transfixed, her eyes following an intricately woven map of veins gliding across the surface of the leaf as it melded with the flesh of her hand.

 

A tapping sound, like raindrops against a window, pulled her from her reverie.  She had always loved the rain. She looked up at the door, certain it must be raining on the other side.  The door had changed; the wood had become glass with a bright green leaf etched into the center.  She pressed her palm into the grooves and the glass became rain. With eyes wide open, she stepped through the curtain of crystalline drops.

 

What had been a dry and withering landscape was now lush and bathed in color.  She took it all in with her eyes; hillsides covered in trees with leaves that kissed the sky, and flowers that stood 5 feet tall, bursting with deep violet and red petals.  There were streams with water so clear, she could see the shimmering scales of fish that frolicked in the soft current. She felt what she thought could only be joy and sprang into motion, running through the grass, her bare feet brushed by the velvety blades.  Nothing was familiar, not even her own heart.  It was if she’d been asleep her whole life.

# # #

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Susan Richardson is living, writing and going blind in Hollywood. She was diagnosed with Retinitis Pigmentosa in 2002 and much of her work focuses on her relationship to the world as a partially sighted woman. In addition to poetry and short-fiction, she writes a blog called “Stories from the Edge of Blindness”.